Hayao Miyazaki

Living Worlds

Some filmmakers don’t just tell stories; they breathe life into them. Hayao Miyazaki is one of those visionaries. A master of animation, world-building and emotional storytelling, he doesn’t just create films – he crafts entire universes where nature, technology and the human spirit intertwine. Through works like My Neighbor Totoro, Spirited Away and Princess Mononoke, Miyazaki doesn’t just entertain; he reshapes the way we see the world around us.

His Greatest Tribble

Miyazaki’s greatest creation isn’t just a single film – it’s his philosophy of storytelling, one that refuses to conform to traditional hero-villain narratives. His films invite us into richly textured worlds where nothing is purely good or evil and every detail – whether a gust of wind or a tiny soot sprite – has meaning.

In Spirited Away, he introduces a world between worlds, a spirit realm that mirrors our own but operates by different rules – inviting us to question the structures we take for granted. In Princess Mononoke, he tells a story of humanity’s conflict with nature, yet refuses to take sides, showing us that industry and the environment are not opponents but deeply interconnected forces.

Miyazaki’s films emphasize harmony over dominance, immersion over spectacle and deep respect for both history and the future. His worlds are not just places to visit – they are spaces to live in, to feel and to return to, time and time again.

His Connection with the Universe

Miyazaki’s work is deeply rooted in nature, spirituality and the cycles of existence. He doesn’t treat the universe as a mere setting but as an active presence, shaping and responding to the characters within it.

  • He sees nature as sacred. His films are filled with ancient forests, mythical creatures and landscapes that feel alive – reminding us that the natural world is not just scenery but a force with its own agency.
  • He embraces ambiguity. Much like the real world, his stories rarely offer clear resolutions, inviting us to ponder rather than conclude.
  • He balances tradition and innovation. Whether through his hand-drawn animation or his themes of progress and preservation, he crafts worlds where the old and the new exist in delicate balance.

Did He Keep His Inner Child Alive?

Without a doubt. Miyazaki’s films radiate childlike curiosity, wonder and playfulness. But his vision of childhood is not naïve – it is resilient, curious and full of quiet wisdom.

  • He tells stories through the eyes of children. From Chihiro (Spirited Away) to Kiki (Kiki’s Delivery Service), his protagonists navigate unfamiliar worlds with courage and open hearts.
  • He refuses to simplify emotions. His films capture the complexities of growing up, of change, of joy and loss – allowing young audiences to feel deeply without being talked down to.
  • He finds magic in the ordinary. Whether it’s the gentle sway of grass or the warmth of a home-cooked meal, his work elevates small moments into profound experiences.

Living Architecture

Miyazaki is more than a filmmaker – he is an architect of emotion, memory and meaning. He believes in designing spaces – both physical and narrative – that nurture, inspire and evolve.

His work reminds us that the world is alive, that stories shape reality and that the most extraordinary journeys begin with a single step.